Pink Floyd, founded in 1965 in London, England, became one
of the most commercially successful rock bands in history, selling more than
250 million records. The classic line-up of the 1970s will never reunite,
however. Guitarist/vocalist David Gilmour and bassist Roger Waters continue their
decades-long public feud while leading their own bands, drummer Nick Mason
tours with his band, Saucerful of Secrets, and keyboardist Richard Wright died of
lung cancer at age 65 in 2008.
The band’s music remains alive nevertheless, so much so that
in October 2024, Sony Music purchased Pink Floyd’s catalog for approximately
$400 million. Pink Floyd withheld the songwriting rights, while Sony Music now
owns the rights to Pink Floyd's recorded music, merchandise and spin-offs.
Meanwhile, the three surviving members alternatingly perform before live
audiences, playing Pink Floyd’s catalog along with new compositions. Mason headlines
theater tours, while Gilmour and Waters sell out multiple nights in the world’s
largest sports arenas.
The year 2024 is Gilmour’s turn to tour, and it is a brief
yet impressive venture. The tour was designed to play multiple dates in only
four cities, Rome, London, Los Angeles, and New York. Gilmour plays guitar and
sings lead; his band consists of Ben Worsley on guitar, Guy Pratt on bass, Greg
Phillinganes and Rob Gentry on keyboards, Adam Betts on drums, Louise Marshall
on piano and vocals, Hattie Webb on harp and vocals, her sister Charley Webb on
ukulele, and Gilmour’s daughter Romany Gilmour on vocals and harp.
Gilmour’s first tour in eight years was designed to promote his
fifth solo studio album, Luck and Strange, released on September 6,
2024. At Madison Square Garden, he and his band performed the entire album,
plus three songs from his previous solo album, 2015’s Rattle That Lock,
and reworked versions of a dozen Pink Floyd songs. The Pink Floyd songs leaned
mostly on deep cuts rather than fan favorites, though. "Time", "Wish
You Were Here" and "Comfortably Numb" were the most recognizable
songs of the three-hour concert.
The program had no support act, so it consisted of two sets
with an intermission and a one-song encore. Before the rest of the band assumed
their stations for the evening, bassist Guy Pratt prefaced the show by politely
asking the fans to be present to the “once in a lifetime” production and not to
their phones, and to please turn off the distracting flashlight feature on
their phones. It was election night, however, and at intermission and during
the second set, large numbers of fans checked their phones for updated election
results.
Moments after Pratt’s welcome, the concert began softly,
with spotlights on individual musicians as they contributed musically to the
opening song, “5 A.M.” from Rattle That Lock. The visual production
gradually increased throughout the evening. In the tradition of Pink Floyd, a
round screen behind and above the stage showed film reels and closeups of the musicians.
Clouds of fog obscured the musicians at times, while at other times lasers cut
through the darkness. To end the first set, the film reel that accompanied “High
Hopes,” a song from Pink Floyd’s post-Waters 1994 album The Division Bell,
showed people with giant white globes; as the visual ended, a dozen similar
globes were tossed into the audience, the evening’s sole interactive engagement.
The large-scale spectacle of Pink Floyd and Roger Waters productions was almost
entirely absent. Sorry, no remote-controlled airplanes or inflated animal
balloons flying over the audience.
Gilmour seldom spoke to the audience other than to introduce
the musicians, applaud the stage crew or announce the end of a set. He seldom
even opened his eyes, except to glance at his teleprompter. Granted, the
audience was in such deep darkness for most of the show that he would not have
seen anything anyway.
Gilmour’s haunting voice was familiar, but cracked often and
did not offer the polish of the recordings and concerts of his more youthful
years. At 78 years of age, he counted on the audience’s audio senses and memory
to fill the gaps. Nearly the entire set was chill, a moody or melancholy mix of
slow-tempo songs, augmented at time by the four background singers contributing
orchestrated “oooo” and “aaaa” crescendos at key moments. The best effects were
when Gilmour led a lackluster song into an extended guitar solo with his searing,
signature style. The fans remained seated for the entire show until the encore,
Pink Floyd’s “Comfortably Numb,” although some fans were moved to stand when
Gilmour cranked deeply into a soaring, extended guitar riff.
All 10 musicians were featured throughout the evening. David
Gilmour’s 22-year-old daughter, Romany Gilmour, was especially spotlighted. She
played sang lead and played a harp on a cover of the Montgolfier Brothers’ “Between
Two Points,” a song that appears on Luck and Strange. The harp seemed
more for visual than audio effect since it could hardly be heard over the other
instruments. On the “The Great Gig in the Sky” from Pink Floyd’s Dark Side
of the Moon, Romany along with Louise Marshall, Hattie Webb and Charley
Webb each took turns leading wordless melodies and harmonized together. As on Luck
and Strange, the two Gilmours sang “The Piper’s Call.” Although she was not
seen on stage, David Gilmour credited his wife, Polly Samson, for writing the
lyrics to the newer songs
In the end, David Gilmour and his band treated the audience to
a rare Pink Floyd-driven experience, but it was not Pink Floyd. The original
band reached a summit in the 1970s that would never be climbed again by its
various parts. For the spectacle, fans will attend Roger Waters’ concerts. For
a mellower treatment, fans will attend a David Gilmour concert. With no
reconciliation in sight between Gilmour and Rogers, this is not a bad option.
All photographs by Emma Wannie/MSGE
Setlist
Set 1
- 5 A.M.
- Black Cat
- Luck and Strange
- Breathe (In the Air) (Pink Floyd song)
- Time (Pink Floyd song)
- Breathe (Reprise) (Pink Floyd song)
- Fat Old Sun (Pink Floyd song)
- Marooned (Pink Floyd song)
- A Single Spark
- Wish You Were Here (Pink Floyd song)
- Vita Brevis
- Between Two Points (The Montgolfier Brothers cover)
- High Hopes (Pink Floyd song)
Set 2
- Sorrow (Pink Floyd song)
- The Piper's Call (with Romany Gilmour)
- A Great Day for Freedom (Pink Floyd song)
- In Any Tongue
- The Great Gig in the Sky (Pink Floyd song)
- A Boat Lies Waiting
- Coming Back to Life (Pink Floyd song)
- Dark and Velvet Nights
- Sings
- Scattered
Encore
- Comfortably Numb (Pink Floyd song)
***
The Manhattan Beat reports on New York City's
live music circuit. All articles are written by Everynight Charley Crespo. All
photographs are taken by Everynight Charley Crespo, except when noted
otherwise.
For a list of Manhattan
venues that are presenting live music regularly, swing the desktop cursor to
the right of the The Manhattan Beat home page and click on the
pop-up tab "Where to Find Live Music."
For a more complete listing of upcoming performances in the New York City area, visit The Manhattan Beat's November calendar.
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