Melissa Etheridge (center) with Indigo Girls |
“Are there any lesbians in the house?” teased Melissa Etheridge
during her set at the beautifully restored Kings Theatre. The response from the audience was a thunderous
cheer, as the Kansas native recalled living and working in the gay community in
New York City prior to her international fame as a rocker. Tonight, a rare
co-headlining evening with Indigo Girls, was a celebration that would not have
been so open a little more than two decades ago in the 20th century,
when LGBTQ rockers were more of a secret society.
Now 63 years old, Etheridge has come a long way since releasing her first album at age 27 in 1988. In the ensuing 36 years, she has sold more than 13 million albums in the United States, five of them at platinum status. She has collected a cabinet full of Academy, Grammy, GLAAD Media and other prestigious awards. She has a star on the Hollywood Walk of Fame.
Eldridge’s most recent project is a two-part docuseries, I’m
Not Broken (Live from Topeka Correctional Facility), which premiered this
summer at the TriBeCa Film Festival. She simultaneously released the film’s
accompanying soundtrack album. At the King’s Theatre, Etheridge introduced the
title track of the film, a rocking anthem that she wrote for the incarcerated
women who attended her concert at the penitentiary. She taught the chorus to
the audience for a singalong; she even specifically invited the men in the
audience to sign the self-empowering chant, “I’m a burning woman.”
Eleven songs from her set were culled from her first five
albums. Etheridge’s gritty, soulful voice carried the songs well, and she
played wicked lead guitar on many of her bangers. The band (Max Hart on
keyboards and guitar, Eric Gardner on drums, Joe Ayoub on bass) gave
appropriate punch to the catalog.
Indigo Girls came on stage for one song and harmonized with
Etheridge on “You Can Sleep While I Drive.” Fan
favorites included “If I Wanted To”, “Come to My Window”, “Bring Me Some Water”
and “I’m The Only One” (with Etheridge playing harmonica), closing with “Like the
Way I Do.” Towards the end of her performance, she handed her guitar to her
roadie and joined her drummer at his kit for an extended drum duet. Throughout
the set, Etheridge warmly engaged the audience with numerous anecdotes between
songs. She often walked to the edge of the stage as she ripped into soaring
leads on her guitar. If she was a burning woman, she had the audience burning
with her.
Like Etheridge, Indigo Girls is among the LGBTQ elders in rock
music. Paralleling Etheridge’s career in music, Indigo Girls — Emily Saliers (61)
and Amy Ray (60) — became underground queer icons upon the release of the duo’s
first album in 1987. Almost 35 years after the release of the folk-rockers’
first radio hit, “Closer to Fine,” Indigo Girls experienced a resurgence in
popularity last year via Greta Gerwig's Barbie movie, in which Ryan
Gosling and Margot Robbie singing “Closer to Fine” figures prominently in the
storyline. Also in the cinema in 2023, Indigo Girls’ music was the foundation
of Tom Gustafson's Glitter & Doom and Alexandria Bombach's documentary,
Indigo Girls: It's Only Life After All.
Like Etheridge, Indigo Girls did not have a new studio album to
promote on this tour, so the concert at the Kings Theatre was a career
retrospective, primarily spotlighting the peak catalog from the 1990s. Standing
before a massive backdrop with an image of a bookshelf filled with books banned
in the United States, Saliers and Ray strapped on their guitars, stepped to the
microphones and electrified the theater with “Shame on You,” a song that
criticizes immigration deportations. The 17-song set included deep cuts, each given
dynamic arrangements that made them sound as fresh as a new song. Lucy
Wainwright Roche sang backup vocals on all songs, and also was given a few
minutes for a solo song. Curiously, each time the band tore into a strong
rocker, Salier and Ray then unstrapped their electric guitars and strapped on
acoustic guitars. Folk-rock, country-rock and pop-rock were all in their
wheelhouse, and they did a solid job of unifying all these sounds. Indigo Girls
concluded with a handful of fan favorites, including “Galileo”,
“Kid Fears” and “Closer to Fine.” Etheridge joined Indigo Girls on stage for
the latter two songs. Indeed, Indigo Girls sounded
closer to fine than ever.
The brief co-headlining tour of Melissa Etheridge and Indigo Girls proved that both acts are senior rock artists that still deliver the goods. The recently released documentaries, It’s Only Life After All and I’m Not Broken, will help the artists reach broader audiences. Hopefully on their next tours they will have new songs to sing.
Indigo
Girls Setlist
- Shame on You
- Least Complicated
- Heartache for Everyone
- Power of Two
- Yoke
- Trouble
- Joking
- Pendulum Swinger
- Get Out the Map
- Scooter Boys
- Ghost
- Tether
- Look Long
- Go
- Galileo
- Kid Fears (with Melissa Etheridge)
- Closer to Fine (with Melissa Etheridge)
Melissa
Etheridge Setlist
- Must Be Crazy for Me
- If I Wanted To
- You Can Sleep While I Drive (with Indigo Girls)
- I Want to Come Over
- You Used to Love to Dance
- No Souvenirs
- Come to My Window
- Chrome Plated Heart
- I'm a Burning Woman
- Bring Me Some Water
- I'm the Only One
Encore
- Like the Way I Do
***
The Manhattan Beat reports on New
York City's live music circuit. All articles are written by Everynight Charley
Crespo. All photographs are taken by Everynight Charley Crespo, except when
noted otherwise.
For a list of Manhattan venues that are presenting live music
regularly, swing the desktop cursor to the right of the The Manhattan
Beat home page and click on the pop-up tab "Where to Find Live
Music."
For a more complete listing of upcoming performances in the New York City area, visit The Manhattan Beat's August and September calendars.
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