Pages

Tuesday, May 17, 2022

Front Line Assembly at le Poisson Rouge

Front Line Assembly at le Poisson Rouge

Industrial music has been an underground cult movement since its inception in the mid-1970s. The genre, which embraces technology and electronica and pairs it with heavy metal power and propulsive club beats, saw mainstream exposure thanks to Nine Inch Nails, Marilyn Manson, Ministry and a handful of other success stories, yet its hard and gritty sound remains too abrasive for the general public. Nevertheless, faithful musicians in this field continue to produce new music, appealing to fans of gothic metal, post-punk, darkwave and electronic body music (EBM).

Bill Leeb formed Front Line Assembly in 1986 in Vancouver, Canada, after a brief stint in Skinny Puppy. Through the years, Leeds as vocalist has teamed with several musicians, most often with keyboardist/programmer Rhys Fulber. Front Line Assembly released its 20th and most recent studio album, Mechanical Soul, on January 15, 2021.

Front Line Assembly at le Poisson Rouge
Front Line Assembly at le Poisson Rouge

In the studio, Front Line Assembly is usually a duo, most recently Leeds and Fulber again. Live at le Poisson Rouge,  the duo was assisted by guitarist Tim Skold of (of KMFDM, Marilyn Manson), and drummer/keyboardist Jon Siren (of Mankind). Throughout the performances, kinetic visuals projected onto the screen behind the musicians and onto the musicians themselves, inadvertently giving curiously matted textures to their arms and faces.

Leeb rarely spoke to the audience; instead song followed song in rapid order. While the band could have selected music from its vast 35 years of recordings, the set concentrated on catalog from the past 20 years or so, with brief forays into the 1990s. Although the tour was named for the band's most recent album, the concert seemed to feature only one song, "Unknown," from that collection.

Front Line Assembly at le Poisson Rouge
Front Line Assembly at le Poisson Rouge

In the end, it did not matter much which songs were played, as the concert was more about the Front Line Assembly's sound than its individual compositions. Leeb paced the stage as he growled and grunted his vocals. Skold, with his blond, spiky Mohawk and apocalyptic-looking outfit, also enthused the audience by pacing and playing his aggressive guitar riffs at the edge of the stage. Fulber layered electronic soundscapes at his keyboard towers, and heavy-handed Siren speedily crashed his percussion in darkness. Together, the four musicians created tense, macabre music that grated and pushed against boundaries of comfort. While engineered and propelled by Leeb's raspy vocals and Fulber's waves of mechanical-sounding synthesizers and sequencers, the energetic thrust of Skold's aggressive guitar work and Siren's savage pounding added a particularly strident flavor to this dark music.

Performances like this prove that industrial music is still alive, although stealthily hiding under the radar. Loyal rivetheads, as followers of industrial music are sometimes called, reveled in Front Line Assembly's performance. As long as Leeb and his collaborators create innovative, challenging music, adventurous fans will support it.

Front Line Assembly at le Poisson Rouge
Front Line Assembly at le Poisson Rouge

Setlist  

  1. The Imminent
  2. Killing Grounds
  3. Unknown
  4. Hatevol
  5. Plasticity
  6. Angriff
  7. Arbeit
  8. Deadened
  9. Resist
  10. Bio-Mechanic
  11. Millennium

Encore:

  1. I.E.D.
  2. Mindphaser
Front Line Assembly at le Poisson Rouge
Front Line Assembly at le Poisson Rouge

***

The Manhattan Beat covers New York City's live music developments as they happen. All articles are written by Everynight Charley Crespo. All photographs are taken by Everynight Charley Crespo, except when noted otherwise. For a list of Manhattan venues that are presenting live music regularly, swing the desktop cursor to the right of the home page and click on the pop-up tab "Where to Find Live Music." For a listing of upcoming concerts for live audiences, visit The Manhattan Beat's May calendar.

No comments:

Post a Comment