After 26 years of existence, Ulver finally performed live in
America for the first time with two concerts at Irving Plaza. Rather than perform a career retrospective, however,
Ulver performed only its most recent album and EP in their entireties. Five
musicians performed in almost total darkness, gathering light only from a few
blinking LED poles and a light show that played above and behind them and even
on them. Most of the audience probably never had a good look at the musicians'
faces. For more than two hours, Ulver's music was equally dark and mysterious,
yet generously fluid with gothic-sounding vocals and layers of melancholic electro-synthpop
melodies, usually over mood-inducing cinematic soundscapes and occasionally
over thick industrial grooves. This was trippy music, like Pink Floyd meets Carpenter
Brut and Meat Beat Manifesto.
The weakest element, however, was Rygg's haunting vocals, which frequently did
not hit the higher range he attempted and fell flat. The performance was
intriguing and hypnotic but did not provide something for the audience to hook
into until the final moments, when Ulver gave the audience a melody for the
commute home, a heady cover of Frankie
Goes to Hollywood's "The Power of Love." Even the black metal
fans in the audience had to acknowledge that Ulver's present state of music is
next level.
Setlist:
- Nemoralia
- Southern Gothic
- 1969
- So Falls the World
- Rolling Stone
- Echo Chamber (Room of Tears)
- Transverberation
- Angelus Novus
- Bring Out Your Dead
- Coming Home
- The Power of Love (Frankie Goes to Hollywood cover)
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