The annual concert raises funds and awareness for Tibet
House US, presently located at 22 West 15th Street in Manhattan. The founders
of the art gallery and cultural center created Tibet House US at the request
of the Dalai Lama. At the inauguration in 1987, His Holiness stated his wish
for a long-term cultural institution to ensure the survival of Tibetan
civilization and culture, whatever the political destiny of the six million
people of Tibet itself.
Six Tibetan monks from the Drepung Gomang Monastery opened
the concert by chanting blessings for the new year — the Earth Pig Year,
according to the Tibetan calendar.
Pianist/composer Philip Glass curated and served as the
artistic director for the 32nd Annual Tibet House US Benefit Concert, as he
does every year. In his introductory remarks, Glass told the audience "everyone
who plays here is a gift."
Avant-pop artist Laurie Anderson, accompanied by cellist
Rubin Kodheli, dedicated her composition to her teacher, Tibetan Buddhist lama
Mingyur Rinpoche, who taught her that "everything is love." Anderson
ended her brief appearance with a couple of jokes and, inspired by Yoko Ono‘s
social media reaction to Trump’s 2017 election, rallied the audience in a
collective scream.Tibetan musician Tenzin Choegyal sang "Heartstrings" and played a long-necked Tibetan lute called a dranyen, with Philip Glass on piano, Leonardo Heiblum on tablas, and the Scorchio Quartet (who later also backed Debbie Harry, New Order and Jon Batiste) on strings. Choegyal encouraged the audience to accompany him in singing the Sanskrit mantra "om mani padme hum."
Although billed as a Chris Robinson Brotherhood performance,
the band was actually Chris Robinson and Neal Casal of the band plus members of
the Patti Smith Band. They performed "Forever as the Moon" and "California Hymn."
Announcing
his seventh anniversary of sobriety, Jason Isbell surprised the audience when
he played an experimental instrumental guitar improvisation to a pre-recorded
drum track rather than perform from his country music catalogue.
Nathaniel Rateliff was one of only two artists who performed
three songs. He performed "Still Out There Running" solo, then sang a cover of Bruce Springsteen's "Atlantic City" with the Patti Smith Band, and then
sang a duet of Sam & Dave's "Hold On, I'm Coming" with Jon Batiste.
Patti Smith read a passage called "Prophecy's Lullaby"
from her most recent book The New
Jerusalem before she with her band launched into a cover of Neil Young’s "After
the Gold Rush." She also read an untitled original poem before covering
Midnight Oil’s "Beds Are Burning."Patti Smith's band performed the Rolling Stones’ "I’m Free," working in portions of Lou Reed’s "Walk on the Wild Side."
New Order consisted of three of the band’s five current members, vocalist/guitarist Bernard Sumner, guitarist Phil Cunningham, and bassist Tom Chapman, plus Joe Duddell. They performed "Love Vigilantes", "Ceremony" and a cover of David Bowie's "Be My Wife" with Lenny Kaye and Andy Burton of the Patti Smith Band.
Debbie Harry performed a slow, deconstructed and reimagined version of Blondie’s "Heart of Glass" with backing by the Scorchio Quartet.
The Late Show host
Stephen Colbert, who had met his wife at an Allen Ginsberg/Philip Glass event,
was invited to read a Ginsberg piece for the benefit. He chose the shorter of
two options he was offered, "Birdbrain," accompanied by Glass on the
piano.
Colbert’s bandleader on The
Late Show, Jon Batiste, played piano and had more stage time than his boss. He performed "Opening" and "Don't Stop."
Benin-born
Angélique Kidjo sang a Swahili song, "Malaïka."
Most
of the night’s performers joined her on stage for a cover of Talking Heads’ "Once
in a Lifetime."
No comments:
Post a Comment