Paul Banks |
Interpol's return to Madison Square Garden tonight signified
that despite the departure of a founding member and several albums that did not
receive the acclaim of the first two, the band was ready to aim high again.
With the help of two touring musicians, keyboardist Brandon Curtis and bassist Brad
Truax (allowing Banks to return to guitar), Interpol performed a 20-song
set that spotlighted key tracks on all of its albums, with an emphasis on the
first two collections. On stage, Banks was rather stoic; he hardly moved, spoke
little and allowed minimum emotion to color his abstract lyrics. Kessler, on
the other hand, danced and bounced incessantly with his strumming. Interpol's
signature Joy Division/Smiths/Cure groove-rooted, curtain of sound imprint was stamped on every
song, even the new "Fine Mess." Most of the songs were measured and
succinct, but the band jammed a bit on "Flight of Fancy" and "The
New." Head-nodding rhythms often dominated over melody, so if the listener
was not familiar with the newer songs, it was too easy to zone out for a bit. The
very active light show, the frequent blasts of fog, and the lack of projection
screens challenged the audience to stay tuned to the music rather than the
spectacle. Nevertheless, the band's robust, energetic presentation brought even
the more droning songs to a soaring summit.
Setlist:
- Pioneer to the Falls
- C’mere
- If You Really Love Nothing
- Public Pervert
- Roland
- Complications
- Say Hello to the Angels
- NYC
- Take You on a Cruise
- The Rover
- Rest My Chemistry
- Evil
- Flight of Fancy
- The New
- All the Rage Back Home
- Fine Mess
- Slow Hands
- Lights
- Not Even Jail
- Obstacle 1
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