The Red Party at Mercury
Lounge is the monthly gathering of New York City's gothic and post-punk community, so Kiss of the Whip found a waiting audience. Victor frequently
leaned into his synthesizers and sang opaquely as his electronic rhythms pulsed
and throbbed through the room. Supported by bassist/synthesizer team mate Jules Fisichella, the music featured
atmospheric waves of sound with romantic and melancholic brush strokes, even as
they bustled with high-energy dance beats. Inspired perhaps by gothic sounds of
the 1980s and more contemporary industrial music, the vocals were brooding and
the repetitive grooves were cutting. Would this appeal to a large audience?
Presently, this breed of music is part of an underground movement, but it is
bound to evolve into a future mainstream.
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