Fantastic Negrito has grown more comfortable and confident
as a performer, as demonstrated at S.O.B.'s
tonight. His roots-based music has become less definable in genre and he has
taken more liberties spicing his songs with curious story-like introductions
and mid-song narratives. Backed by
guitarist Tomas Salcedo, keyboardist
Bryan C. Simmons, and drummer Darian P. Gray (the bassist was missing
from this performance), Negrito's set recalled old-time blues, but it broke out
of the cage like a raging lion on nearly every song. Negrito sang with a big
voice and narrated with an equally big personality. Although raised as a
Muslim, he showed all the swagger of a Pentecostal preacher in high gear,
moving in cadence with the music all over the small stage and driving the
hip-shaking songs to maximum energy. Many of the lyrics wrapped around
insightful social commentary about living out hard times, and the urgent impact
of his rocking ensemble made the potent message feel desperate and even
explosive. The arrangements borrowed from funk, folk, rock and roll and hip
hop, anything to build more dynamics into the songs. If this edgy mix of music
was the blues, then it ranged from sky blue to midnight blue and many shades in
between.
- Bad Guy Necessity
- Nobody Makes Money
- Working Poor
- Scary Woman
- A Cold November Street
- Hump Thru the Winter
- An Honest Man
- Lost in a Crowd
- Rant Rushmore
- A Boy Named Andrew
- In the Pines
- Bullshit Anthem
- Plastic Hamburgers
- The Duffler
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