![]() |
Cynthia Sley |
Women musicians were scarce in rock music until the punk
movement of the late 1970s. New York City's Bush Tetras in 1979 proved that
women rockers were not only growing in visibility but also were innovative and
groundbreaking. Today, hundreds of bands are copying Bush Tetras' progressive funk
noise, even if these bands do not know it. Cynthia
Sley's half talking, half scolding vocals, Pat Place's searing, hypnotic guitar resonance, Laura Kennedy's sturdy, funky bass grooves
and Dee Pop's pounding, thumping percussion
together combined for a sound like no other band. Bush Tetras failed to grow
out of the punk rock circuit and into the mainstream, however, and ultimately the
band split in 1983. Bush Tetras reformed from 1995 to 1998, and then reformed
again in 2005. Kennedy died in 2011; the band's current bassist is Val Opielski. Bush Tetras' third and
most recent album, Happy, was
recorded in 1998 and became available in 2012.
Bush Tetras celebrated its 37th anniversary as a live band
tonight at the Bowery Electric.
Although the group is headlining the same kind of clubs it did decades ago, tonight's
performance proved that the band's music was still as electrifying and
invigorating as it was nearly four decades ago. Pop caught the beat, Opielski
gave the backbone, Place slid into dissonant, distortion-filled riffs, and Sley
snarled bold, deadpan vocals. Together, they released a primal, intense energy
alongside an integral rock and funk swagger. The results were chilling. One can
only speculate how the Bush Tetras' music would have grown if the band had
remained together into the alt-rock 1990s.
Bush Tetras returns to the New York stage at the Delancey on April 27.
No comments:
Post a Comment