Mitski Miyawaki was
born in Japan, where her future music trajectory was informed by her mother's
1970s pop CDs. Her father's job caused her family to relocate frequently, and
Mitski lived in 13 countries before she enrolled in college in Purchase, New
York. Going by her singular first name, Mitski launched her music career while
in college, self-releasing two albums, then moved again to New York City after
graduation, where she would further her audience with two more breakout albums.
Mitski released her fourth album, Puberty
2, on June 17, 2016.
Mitski's headlining gig at the Bowery Ballroom tonight was preceded by a cover story in Brooklyn magazine, a feature story in
the Village Voice and coverage in
several other local media. Mitski spoke in her interviews that her music
reflects her issues of belonging due to her cross-cultural identity as
"half Japanese, half American, but not fully either." Dozens of
college-age women near the stage sang along with her odes to loneliness and
attempted to get her attention, perhaps as if to say, "I am just like
you." Mitski, dressed in a business-casual knit top and pencil skirt, appeared
mature enough to be the mentor for young women sorting out their journeys, but yet
seemed too young to be the cool mom. Playing bass, backed by a guitarist and
drummer, Mitski soulfully sang songs that seemed thoughtful and personal, even
when the images were closer to scattered stream-of-consciousness. From
"Townie" to "Fireworks," plus two solo encores, Mitski had
a rapt audience caught up in her sparsely-arranged songs. At the beginning of
the set, Mitski remarked that the evening was a rare event, a convergence of
both the summer solstice and a strawberry moon. Perhaps it was this cosmic cocktail
that had her audience swooning symbiotically to her low-key music.
Visit Mitski at www.mitski.com.
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