Eugene Hutz |
Upon graduating from high school in the Ukraine in the late
1980s, Yevheniy Aleksandrovich
Nikolayev-Simonov became active in Kiev’s burgeoning perestroika rock scene
and started his musical career with the band Uksusnik (Vinegar Dispenser). The 1986 nuclear plant meltdown in Chernobyl changed the course of his
life, however. His parents qualified as political refugees in 1990, and the
family, descendants of Gypsies called the Servo Roma, began a seven-year trek
through Poland, Hungary, Austria and Italy. He, his mother, his father and his
cousin arrived in Vermont in 1992 as political refugees through a resettlement
program. While in Vermont, he formed the Fags,
which played what he called "Eastern European ethno punk metal."
Later, he moved to New York, took on his mother's German maiden name and became
Eugene Hütz, and formed the gypsy
punk band Gogol Bordello. The
collective presently consists of vocalist/acoustic guitarist Hütz, violinist Sergey Ryabtsev from Russia, accordionist
Pasha Newmer from Belarus, guitarist
Michael Ward from the United States, vocalist Elizabeth Sun from China and Scotland, bassist Thomas "Tommy T" Gobena from Ethiopia, drummer Oliver Charles from the United States
and percussionist Pedro Erazo from
Ecuador. Gogol Bordello's most recent album is 2013's Pura Vida Conspiracy.
A minority of rock fans might identify Gypsy music as their
favorite music. On the second of two consecutive nights headlining at Terminal 5, Gogol Bordello showed
Hütz's love of Gypsy music and the traditional music of the Hutsul people of
the Carpathian Mountains, where his family had once lived. This was only the
spine of the music, however. The cosmopolitan, multicultural, multilingual
collective took instruments one might expect at a Russian wedding (accordion
and violin as lead instruments) and performed a two-hour set of mad, raucous
rock. The songs, sung in many languages, drew from numerous exotic world music
rhythms and arrangements, and mixed them with punk and dub. The thread that
held them all together was the exuberant feel-happy bounce of the rhythms. Hütz
proved to be extraordinarily charismatic and entertaining, simultaneously
leading the minstrels and the audience from varied ethnic roots into a
universal camaraderie. The bulk of the set was comprised of later songs from the
Trans-Continental Hustle and Pura Vida Conspiracy albums, but fans also
heard "Not a Crime", "Mishto", "Alcohol" and
other older material. In all, Gogol Bordello performed a rousing set of 19
frenzied ethnic-inspired rock songs unlike anything ever before played on the
Terminal 5 stage.
Visit Gogol Bordello at www.gogolbordello.com.
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