Electric Hot Tuna at Carnegie Hall

Hot Tuna's return to Carnegie Hall after a 50-year hiatus was announced as a celebration of guitarist Jorma Kaukonen's 80th birthday, which occurred during the pandemic on December 23, 2020. Hot Tuna's previous performance at Carnegie Hall was April 3, 1972, shortly after the release of Burgers, the band's first studio album (Hot Tuna's first two albums were live albums). As such, Hot Tuna's return to Carnegie Hall also celebrated the 50th anniversary of Burgers.

Hot Tuna is Kaukonen and bassist Jack Casady, and the duo was joined on stage by drummer Justin Guip, multi-instrumentalist Larry Campbell, and Campbell's wife, vocalist Teresa Williams. The program started with the musicians playing Burgers in full. The late Papa John Creach and his violin were prominent on Burgers, and Campbell filled the gap, mostly playing violin during the first set. Williams came on stage to sing "Highway Song" and " Let Us Get Together Right Down Here" from that album.

After intermission, the second set started with two live rarities. Kaukonen and Casady led two songs that they played during their high school years in Washington, DC, long before they relocated to San Francisco and helped start Jefferson Airplane. Campbell and Williams joined Kaukonen in singing "All I Have to Do Is Dream," popularized by the Everly Brothers, and "Money Honey," a song popularized by Elvis Presley. Williams also later was on stage singing on "Great Divide Revisited", "Letter to the North Star" and "Keep Your Lamps Trimmed and Burning." During the second set, Campbell surprised possibly even Kaukonen and Casady by launching solo into an impromptu "John’s Other," an instrumental that Creach and his violin led on Jefferson Airplane's Last Flight album.

As the concert was designed to be an electric set, Kaukonen hardly touched his acoustic guitars. Kaukonen is an exceptional guitar picker is the Piedmont blues style, but this was not to be showcased at this event. Instead, Kaukonen played juicy leads on his electric guitar, and on several occasions Casady also held the spotlight by ripping into bass leads. Kaukonen was perhaps overly gracious in the frequency with which he signaled to Campbell to take a lead, whether on guitar, violin or mandolin. Campbell is an excellent player, but the audience was present to hear Kaukonen play as much as possible.

Now at 81 years of age, Kaukonen remains at the apex of his skills, captivatingly singing in a husky voice and humbly yet proficiently playing blues licks that rival the iconic leads of many blues rock masters. He is a well-seasoned musician and a musical treasure. Hot Tuna's revisit of the Burgers catalog and other vintage songs was more than a concert, it was a historical documentation of America's blues rock legacy.

Set 1: Burgers

1. True Religion
2. Highway Song
3. 99 Year Blues (Julius Daniels cover)
4. Sea Child
5. Keep On Truckin' (Bob Carleton cover)
6. Water Song
7. Ode for Billy Dean
8. Let Us Get Together Right Down Here (Reverend Gary Davis cover)
9. Sunny Day Strut

Set 2

1. All I Have to Do Is Dream (Felice & Boudleaux Bryant cover)
2. Money Honey (Clyde McPhatter & the Drifters cover)
3. Great Divide: Revisited
4. John's Other (Jefferson Airplane cover)
5. Bowlegged Woman, Knock Kneed Man (Bobby Rush cover)
6. Letter to the North Star
7. Keep Your Lamp Trimmed and Burning (Blind Willie Johnson cover)
8. Song from the Stainless Cymbal
9. Hit Single #1
10. Bar Room Crystal Ball

Encore

1. Funky #7

Related articles: "Hot Tuna at the Town Hall," The Manhattan Beat, November 29, 2019

"Jorma Kaukonen at City Winery," The Manhattan Beat, October 5, 2018

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The Manhattan Beat covers New York City's live music developments as they happen. All articles are written by Everynight Charley Crespo. All photographs are taken by Everynight Charley Crespo, except when noted otherwise. For a list of Manhattan venues that are presenting live music regularly, swing the desktop cursor to the right of the home page and click on the pop-up tab "Where to Find Live Music." For a listing of upcoming concerts for live audiences, visit The Manhattan Beat's April and May calendars.